
The ten tracks on this album to be savored, one by one, plunged into a comfortable chair, eyes closed and an open mind: will the delicious sound of Nathan's watercolor to build from scratch a fairy world to get lost and wander through the nose upward to forty minutes.
In fact it is easy for rational cognition of time is less when you follow the trail of yellow brick and the roofs will fly aboard a dragon kind. Once landed and returned to his room you will experience the urge to leave again immediately, the trip was too short and yet there are so many things to explore and characters to meet soundless in the land of Nathan.
There are Pink Floyd and their rarefied atmosphere, the pace and content articulated harmonies, solving, open the way to another dimension, but there is hard rock pure and to divide the pie, along with eye-catching splashes of blues glissandos descendants placed here and there to confuse the ideas nicely. As the immortal quartet London, the rhythmic base is very simple, regular, square, assumes the function of reference point, an anchor, a sort of grid, the naked body to be clothed and covered with fine veils and tissues. Until the seventh track
: Frivolous part with a pressing time odd-sounding serious, leading to mente una danza africana, a cui si sovrappongono subito un breve e ritmato giro di chitarra e gli accenti del basso. La linea vocale richiama vagamente situazioni country, I am a man of constant sorrow ha dei tratti in comune col brano in questione, che pure si avvale di fulminei ed entusiasmanti inserti di hammond e synth. Troppo presto giunge il finale che, dopo un passaggio di eterea sospensione, riprende l'incipit per qualche battuta, tuffandosi quindi in un crescendo che lascia sperare in una ripresa del pezzo ma ne segna invece la definitiva chiusura.
Riecheggiano in varie occasioni sonorità classiche della storia del rock, complice il sapiente uso (mai abuso) dell'hammond, dai Doors ai Jethro Tull fino ai R.E.M., mentre si intravedono background profiles Staley and Vedder in the 'hood single "Way Out and final mention of ballad When it's going to end .
Among my personal favorite song is Too clever , with its futuristic and space keyboard arpeggios, repeated obsessively in the background, and the warm voice that steals the melody. Speaking of repetition, what about Freed rock and hypnotic cowbell that underpins the quarter, thanks to sound dark, almost desperate, light phobias underground?
is possible, and highly recommended, listen to the entire album here: http://natanrondelli.it/the-music . Luca Manni
There are Pink Floyd and their rarefied atmosphere, the pace and content articulated harmonies, solving, open the way to another dimension, but there is hard rock pure and to divide the pie, along with eye-catching splashes of blues glissandos descendants placed here and there to confuse the ideas nicely. As the immortal quartet London, the rhythmic base is very simple, regular, square, assumes the function of reference point, an anchor, a sort of grid, the naked body to be clothed and covered with fine veils and tissues. Until the seventh track
: Frivolous part with a pressing time odd-sounding serious, leading to mente una danza africana, a cui si sovrappongono subito un breve e ritmato giro di chitarra e gli accenti del basso. La linea vocale richiama vagamente situazioni country, I am a man of constant sorrow ha dei tratti in comune col brano in questione, che pure si avvale di fulminei ed entusiasmanti inserti di hammond e synth. Troppo presto giunge il finale che, dopo un passaggio di eterea sospensione, riprende l'incipit per qualche battuta, tuffandosi quindi in un crescendo che lascia sperare in una ripresa del pezzo ma ne segna invece la definitiva chiusura.
Riecheggiano in varie occasioni sonorità classiche della storia del rock, complice il sapiente uso (mai abuso) dell'hammond, dai Doors ai Jethro Tull fino ai R.E.M., mentre si intravedono background profiles Staley and Vedder in the 'hood single "Way Out and final mention of ballad When it's going to end .
Among my personal favorite song is Too clever , with its futuristic and space keyboard arpeggios, repeated obsessively in the background, and the warm voice that steals the melody. Speaking of repetition, what about Freed rock and hypnotic cowbell that underpins the quarter, thanks to sound dark, almost desperate, light phobias underground?
is possible, and highly recommended, listen to the entire album here: http://natanrondelli.it/the-music . Luca Manni
The musical project of the EIT was born in Carrara union of musicians from different artistic backgrounds. The band is composed of Gabriele Grassi, Alex Iardella, Nerbi Matteo, Gianluca Rossi and Simone Parsley. The group formed in 2008 and two years dedicated to the creation of songs. In 2010 begins the live activity in support of the disc in the meantime realized Mechanisms, submitted to Mei di Faenza. Suspended between pop and rock singer-songwriter, has an original Eit's incredible that is, In my opinion, no other band like the Italian music scene. The texts are both committed and poetic: words are always appropriate and perfectly express images and moments. The album has a good artistic production and great sounds. Among the pieces that I liked best, The arrival on the scene with a strong presence and rock guitars, Seductress indifferent, a song that criticizes the media, with a classic sound, piano and voice, which I Andrea Chimenti remembered something because of its lightness and elegance; From you to me, beautiful, poetic and melancholic at the same time. In disc one another pop songs and ballads of great songwriting with a growing really exciting Hatred it too has a very evocative text and excellent guitar openings. All play is characterized by good strength and originality of composition that I was really excited. Marco Colombo

never ceases to amaze us with the Foreas her jewelry. Though they may appear to be typical boy band, or athletic, glossy image, smiles and cool style, the Jackie O's Farm are real musicians, playing the excellent American alternative rock. Recorded at West link study with the artistic production of Pisa di Alessandro Sportelli e la collaborazione di Marco Capozzi, chitarra acustica e cori per il brano Wide awake , l’album strizza l’occhio a quel rock Anni '90 che ha visto tra i suoi protagonisti gruppi made in Usa diversi tra cui spiccano di certo i Pavement. Tra i brani che mi sono piaciuti di più Killer in love , che fa riferimento ad un romanzo di Luis Sepúlveda, Diario di un killer sentimentale. Anche il titolo del disco Sandland è una citazione che attinge ad antichi proverbi sahariani. Il disco è interessante e merita un ascolto. Marco Colombo
Telesplash - Bar Milano ***
Solari, simpatici e pure belli. Il gruppo aretino Telesplash torna con un nuovo disco dopo l'ep Forever Together che aveva catturato l'attenzione degli addetti ai lavori per il suo suono "festaiolo" ispirato a Beach Boys e Beatles.
Solari, simpatici e pure belli. Il gruppo aretino Telesplash torna con un nuovo disco dopo l'ep Forever Together che aveva catturato l'attenzione degli addetti ai lavori per il suo suono "festaiolo" ispirato a Beach Boys e Beatles.
A novembre 2010 è uscito Bar Milano , loro primo album, cantato interamente in italiano.
Bar Milano è il luogo dove le storie di tutti i giorni diventano raggi di sole, dove è bello ritrovarsi sospesi in una rara leggerezza, dove la vita di provincia regala stimoli inaspettati e l'amore si vive senza tempo. Con l'ironia sottile e l’invidiabile capacità di non prendersi troppo sul serio, training on his debut long-distance carries his world in the hearts of all, told with the simplest words in a colorful imagination sixties. We too share the full Asap these words from their presentation. We had already been very positively reviewed for their ep Forever togheter. This second paper presents interesting episodes as Aurora inspired by Oasis, Giulia fresh power pop radio, stimuli also very pop and easy listening. Marco Colombo
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